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This powerful collection of poems details the harrowing experiences endured by Abani and other political prisoners at the hands of Nigeria's military regime in the late 1980s. Abani vividly describes the characters that peopled this dark world, from prison inmates such as John James, tortured to death at the age of fourteen, to the general overseers. First published after his release from jail in 1991, Kalakuta Republic remains a paean to those who suffered and to the indomitable human spirit. 'Reading Abani's poems is like being singed by a red hot iron.' Harold Pinter 'Abani's poetry resonates with a devastating beauty which cuts to the heart of human strength, survival and tyranny.' Pride Magazine 'Stunning poems ... Abani conveys the experience in words shaped into art and made unforgettable by their quietness.' New Humanist 'A beautiful work of art ... elevates art and humanity above meanness and inhumanity.' World Literature Today 'A brave and challenging book ... I was moved as much by what the poems have achieved as by what they have rescued from that nightmare world. Reading, I found myself in tears.' Sunday Tribune 'An unheralded chunk of authentic literature' New Statesman 'Abani's ...poems contain moments of grace, humanity and humor.' Susannah Tarbush, Diwaniya 'Chris has emerged with poems that are graceful pieces of art, almost ready to be hung in a gallery for others to come and enter them and rest in them and weep in them and admire them.' Kwame Dawes, professor of English literature, University of Columbia, South Carolina, USA
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Intimate stories of longing and exile by one of our finest contemporary writers.A lonely housewife fascinated with a famous writer learns to find her own voice in Abu Dhabi; a bus route passing the Christmas lights along Oxford Street is a stark reminder for a female passenger of her brother's tragic death on the eve of his wedding; and a Scottish man working in a kebab shop and his girlfriend try desperately to reconcile Islam's place in their fragile relationship.From the heat of Khartoum at the height of summer to the wintery streets of London, from the concrete high rises in the Gulf to the blustery coast in Aberdeen, this elegant and moving collection vividly evokes the overlapping worlds of Africa, Britain and the Middle East. Beautifully observed and written with empathy, Leila Aboulela's stories deftly capture the search for home in our fast-changing world.
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In the economy class of a plane, the lives of two passengers intersect: Walid, a Palestinian writer, is returning to Gaza for the first time in thirty-eight years; Dana, an Israeli actress, is on her way back to Tel Aviv. As the night sky hurtles past, what each confides and conceals will expose the chasm between them in the land they both call home. Walid soon discovers that Gaza has changed beyond all recognition. Yet through the haze of checkpoints and lives lived across borders, he finds a message from Dana that will change the course of his life. The Lady from Tel Aviv is a powerful and poetic story of love, loss and the desire to belong. The Lady from Tel Aviv will take you to the height of reading pleasure' Elias Khoury Al-Madhoun brings Gaza to life vividly through his characters and his ability to acknowledge the absurd within the tragic.' Selma Dabbagh
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Egypt is the setting for this collection, but the stories are universal -whether it's the girl whose mother no longer recognises her, a young man who uses the changing political climate to avenge his despotic father, or the woman consumed by guilt for abandoning her children. Echoing V.S. Pritchett's words, they 'look for the silent moment in which our singularity breaks through, when emotions change, without warning, and reveal themselves. And while revealing themselves they also unveil the scents and sensations of modern Cairo, from the early 1930s to the present day. Essential reading, not only for those with a love of this fascinating city but for those who cherish the story, unobtrusively and beautifully rendered.
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Claire and Gabrielle Sahli are sisters growing up in 1920s Cairo. Of mixed descent, they occupy a precarious position in Egypt's increasingly nationalist wealthy classes. While others like them leave, the Sahli's cling on to their homes and livelihoods as Cairo is rocked by violent anti-British demonstrations and government crackdowns. Tracing the lives of Claire and Gabrielle from childhood to old age, Anne-Marie Drosso portrays the bittersweet relationship of two intelligent, complex women forced to adapt to the unexpected. A deft and delicate story of two sisters growing up in Cairo.
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Three Sisters / Bi Fei. - [miejsce nieznane] : Telegram Books : Legimi, 2012.
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WINNER OF THE 2010 MAN ASIAN LITERARY PRIZE From the petty treachery of the village to the slogans of the Cultural Revolution and the harried pace of city life, three sisters strive to change the course of their destinies in a China that does not truly belong to them. mi, the eldest, struggles to retain dignity as her ideal marriage falters. xiu relies on her talent for seduction. And, yang, the youngest, lays her hope in her own intelligence, securing the education that her sisters were denied. A breathtaking account of the challenges facing women in Communist China and of the bonds and ruptures of sisterhood. One of China's best contemporary novelists, Bi Fei has created an insightful portrait of China' -- Yin Li. 'A profound, illuminating novel' -- Nicole Mones. 'A thrilling family epic' -- Xiaolu Guo. 'A moving exploration of Chinese family and village life during the Cultural Revolution that moves seamlessly between the epic and the intimate, the heroic and the petty, illuminating not only individual lives but an entire society, within a gripping tale of familial conflict and love.' -- Judges of the Man Asian Literary Prize, 2011. 'Bi Fei's account of three sisters struggling to survive in the aftermath of China's Cultural Revolution is a complex moral tale that also illuminates the country's rise from sleeping tiger to global power' -- Independent. 'An unyielding critique of the emotional fallout of China's Cultural Revolution' -- Metro 'Genuinely moving … A stunning portrayal of women's lives in China' -- Socialist Review. 'This is a China that few Westerners know. Bi Fei makes it real and believable in this charming, surprising novel.' -- Washington Post. 'Bi's compelling and unsentimental book tackles myriad subjects, such as power and corruption, love and betrayal, civil duty and personal sacrifice, and conflict between the rural and urban worlds. It draws a meticulous picture of a transitioning village in '70s China, and in so doing, Bi has created memorable characters ... Masterful storytelling' -- San Francisco Chronicle. 'A spell-binding tale of love and hatred, defeat and victory, resignation and redemption' -- William Poy Lee
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Mariel Baxter, a famous American soprano, has suddenly cancelled all her recitals and flown to Vienna. In the 1980s she came to the city to study the art of lieder singing with the reclusive Ursule Kroll, one of the brightest stars of the Nazi era and a favourite of the Führer himself. The two haven't communicated since Mariel's unexpected departure over twenty-five years ago. So why has Mariel come back? As Ursule and Mariel play a dangerous cat-and-mouse game, terrible revelations about the past begin to unfold, and both women soon discover that some secrets are better left buried. Scotland's finest contemporary writer.' Alexander McCall Smith '(Ronald Frame's) novel strikes with flair and reasonance those dissonant chords of money and desire,fame and politi, that rumble behind great music and its makers.Its various mysteries unfold at a presto gallop, free of all Viennese schmaltz, in a tight-knit, allusive and sardonic style: more Alban Berg than Richard Strauss.' Boyd Tonkin The Independent '...Frame is particularly adept at depicting the interplay between music, love and desire-both lesbian and hetrosexual- and the price that all practitioners have to pay to perfect their art.' Michael Ardetti The Financial Times
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It's the 2030s in Ramsgate and four people who don't look quite human are found sitting, naked, in the early spring sunlight on the quay of the quiet south coast resort. The locals are puzzled – the newcomers are larger and heavier than they are and say they are fleeing the heat. Soon more arrive. Their tall red-haired leader, The Professor, talks to the universe. The locals talk among themselves.Red people appear everywhere, making friends, going into the caves, liked by some but accused of bringing infection by others. Two rivalrous brothers, Liam and Joe, take different sides as one joins a notorious far-right group. Their teacher Monica is the first to warn there'll be trouble. And she's right, there is; but there is also a great Midsummer Festival, laughter and love.Set in a world in crisis, this original, gripping fable about migration and global warming restores belief in the power of human kindness.'A stylish, intriguing novel. A fable bursting with freshness and foresight, a charming, sparkling jewel of a novel to be cherished and held high as an antidote to modern day bleakness and climate despair.'-- Leila Aboulela'The Red Children offers a warning and a vision of our past, present and future. This timely, vital and generous book is extraordinary in its courage, and hopeful and brutally honest in its clarity. An essential book for our times.'-- Salena Godden'Superb. A mesmerising, deeply engrossing work.'--Irenosen Okojie
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Sabra Zoo / Mischa Hiller. - [miejsce nieznane] : Telegram Books : Legimi, 2011.
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Winner of the Commonwealth Writers' Prize for Best First Book for Europe and South Asia. "A stunning, defiant debut."—Guardian "Hiller brings to his works not only a craftsman's skill but also a compassion for his characters that proves infectious."—Haaretz "A chilling rites-of-passage novel set in Beirut in 1982 during the killings in the camps."—The Economist It is the summer of 1982 and Beirut is under siege. Eighteen-year-old Ivan's parents have just been evacuated from the city with other members of the Palestine Liberation Organization. Ivan stays on, interpreting for international medical volunteers in Sabra refugee camp and working undercover for the PLO. Hoping to get closer to Eli, a Norwegian physiotherapist, he helps her treat Youssef, a camp orphan disabled by a cluster bomb. An unexpected friendship develops between the three and things begin to look up. But events take a nasty turn when the president-elect is assassinated. The Israeli army enters Beirut and surrounds the camp, with Eli and Youssef trapped inside. What happens next makes international headlines and leaves Ivan scrabbling to salvage something positive from the chaos. Mischa Hiller, of English–Palestinian descent, was born in England in 1962 and grew up in London, Dar es Salaam, and Beirut. Mischa won the 2009 European Independent Film Festival script competition for his adaptation of Sabra Zoo. He lives with his family in Cambridge, England.
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Insomnia / Aamer Hussein. - [miejsce nieznane] : Telegram Books : Legimi, 2012.
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On the shores of Lake Como a man and a woman talk about longing and belongingl; a translator finds himself drawn into the personal and political turmoil of the poet he translates; a woman's quiet world is eroded by World War II and the division of her country. Charting the geographies of leave-taking and homecoming, the consolations and rivalries of friendship, adolescent yearnings and maturity's tentative acceptance of longing, these exquisite stories engage with the grand narratives of our time. 'Both disconcerting and alluring...the further the reader travels into Hussein's landscape of erosion, the more potent his capacity to find beauty becomes.' Times Literary Supplement 'Profound but low key; spiritual, but pragmatic; full of longing, but also acceptance.' Independent on Sunday 'Emotionally as well as intellectually charged.' New Statesman 'Hauntingly convincing.' The Daily Telegraph 'Lovely short stories...sharp, bitter, subtle comedy.' The Times 'Fresh, personal and profoundly moving.' Kamila Shamsie, Literary Review 'Superbly written short fiction...the writing is both delicate and powerful: these are very fine stories indeed.' Independent 'A gem-like collection...Aamer Hussein is a consummate stylist...His prose is restrained, precise and yet deeply moving. He is a sensuous writer in whose stories nature acts as a balm on even the most weary of sensibilities.' Moni Mohsin, Literary Review 'Profound, beautiful' Ruth Padel 'Wonderfully evocative and readable' Kate Pullinger
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"A thing of beauty. . . . You must read it."—Nadeem Aslam "A shower of pleasures."—Julia O'Faolain "Sophisticated, cosmopolitan and seductive, the novel engages mind and senses alike."—André Naffis-Sahely, The Times Literary Supplement Like his parents, he too spent many hours sending cloud messages to other places, messages of longing for something that he knew existed otherwhere. London, that distant rainy place his father lived in once, is where Mehran finds himself after leaving Karachi in his teens. And it is there that his adult life unfolds: he discovers the joys of poetry, faces the trials of love and work, and spends his dreaming hours "sending cloud messages to other places," hoping, one day, to tell his own story. A feeling of not quite belonging anywhere pursues Mehran as he travels to Italy, India, and Pakistan. But the relationships he forms—with wounded, passionate Marvi, volatile Marco, and the enigmatic Riccarda—and his power of recollection finally bring him some sense, however fleeting, of home. Aamer Hussein was born in Karachi in 1955 and moved to London in his teens. He lectures at the University of Southampton and the Institute of English Studies and is a fellow of the Royal Society of Literature. His novella Another Gulmohar Tree was shortlisted for the Commonwealth Writers' Prize Europe and South Asia 2010.
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Since she's been ill, Lalla Fatma has become a frail little thing with a faltering memory. Lalla Fatma thinks she's in Fez in 1944, where she grew up, not in Tangier in 2000, where this story begins. She calls out to family members who are long dead and loses herself in the streets of her childhood, yearning for her first love and the city she left behind.By her bedside, her son Tahar listens to long-hidden secrets and stories from her past: married while still playing with dolls and widowed for the first time at the age of sixteen. Guided by these fragments, Tahar vividly conjures his mother's life in post-war Morocco, unravelling the story of a woman for whom resignation was the only way out.Tender and compelling, About My Mother maps the beautiful, fragile and complex nature of human experience, while paying tribute to a remarkable woman and the bond between mother and son.'Ben Jelloun is arguably Morocco's greatest living author, whose impressive body of work combines intellect and imagination in magical fusion' Guardian'In any language, in any culture, Tahar Ben Jelloun would be a remarkable novelist' Sunday Telegraph'One of Morocco's most celebrated and translated writers' Asymptote'A traditional storyteller whose tales have the status of myth ... An important writer.' Times Literary Supplement
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All Tom's friends really are superheroes. Tom even married a superhero, the Perfectionist. But at their wedding the Perfectionist is hypnotized by her ex, Hypno, to believe that Tom is invisible. Nothing he does can make her see him. Six months later the Perfectionist is sure that Tom has abandoned her, so she's moving to Vancouver. She's going to use her superpower to leave all the heartbreak behind. With no idea that Tom is beside her she boards the plane: Tom has until they touch down to convince her he's there, or he loses her forever. A wonderful, heartbreakingly funny tribute to love, sweet love. 'A work of adorable genius. Buy it, borrow it, steal it but just make sure you read it.' -- Scott Pack 'An adorable book.' -- Toby Litt 'The funniest, quirkiest romance of the year.' -- Marie Phillips 'One of the saddest, funniest, strangest, and most romantic books ... Brilliant!' -- The Bookseller
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1963. Kenya is on the verge of independence from British colonial rule. In the Great Rift Valley, Kenyans of all backgrounds come together in the previously white-only establishment of the Jakaranda Hotel. The resident musician is Rajan Salim, who charms visitors with songs inspired by his grandfather's noble stories of the railway construction that spawned the Kenya they now know. One evening, Rajan is kissed by a mysterious woman in a shadowy corridor. Unable to forget the taste of her lavender-flavoured lips, Rajan sets out to find her. On his journey he stumbles upon the murky, shared history of three men – his grandfather, the owner of the Jakaranda and a British preacher – who were implicated in the controversial birth of a child. What Rajan unearths will open his eyes about the birth not just of a child, but of an entire nation.
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Kemal Kuray is lucky to escape with his life after his beloved F-16 hurtles to the ground in a test flight. Convalescence comes in the form of a comfortable monthly allowance and an opulent apartment in a mysterious neighborhood of Istanbul, inexplicably left to him by an acquaintance in the Air Force. But there's a price to pay. His Edgar Allen Poe-obsessed benefactor sets him on a wild goose chase from the back streets of Istanbul to the broad avenues of Buenos Aires, and finally to Poe's grave in Baltimore. But what exactly is Kemal searching for? Missing persons, yes, but there's more--he is looking for the embodiment of Poe's most famous poem, "Annabel Lee", "to love and be loved."
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Istanbul is a city of a million cells, and every cell is an Istanbul unto itself. After a military coup, four prisoners – the doctor, Demirtay the student, Kamo the barber and Uncle Küheylan – sit below the ancient streets of Istanbul awaiting their turn at the hands of their wardens. Between violent interrogations, the condemned share parables and riddles about their beloved city to pass the time. From their retelling of stories, both real and imagined, emerges a picture of a city that is many things to many different people. Their fears and laughter show us that there is as much hope and suffering in the city above as there is in the cells below. Istanbul, Istanbul is a poignant and uplifting novel about the power of human imagination in the face of adversity. 'A profoundly moving story about the transformative power of words in times of desperation' Ece Temelkuran, author of The Insane and the Melancholy 'A harrowing, riveting novel, as unforgettable as it is inescapable.' Dale Peck, author of Visions and Revisions 'A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.' John Ralston Saul, author of On Equilibrium; former president, PEN International 'Ten days, ten stories and ten chapters, like Boccaccio's Decameron ... This novel will, I predict, itself become a classic.' Rosie Goldsmith
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